Studio Incamminati-School for Contemporary Realist Art
Nelson Shanks, Founder and Artistic Director

Jason Espey . Self Portrait . Oil on canvas . 16 x 20 . 2010

Claire Cropper . Lauren - Value Study . Oil on canvas . 20 x 16 . 2011

Katya Held . Closed Grisaille (3 Hour Study) . Oil on canvas . 15.5 x 12 . 2009

Caroline Weitzman . Cailtlin . Oil on canvas . 16 x 10 . 2009

Snehal Rajeev Page . Closed Grisaille (detail) . Oil on canvas . 2010

Vanessa Fenton . Victorian Arm Cast . Oil on canvas . 16 x 14 . 2010

Christina Rose . Russell . Oil on canvas . 20 x 16 . 2009

Kerry Dunn . Connie - Two Tone Study . Oil on canvas . 20 x 16 . 2004

Joseph Dolderer . Duotone . Oil on canvas . 20 x 16 . 2009

Darren Kingsley . Closed Grisaille Study . Oil on canvas . 20 x 16 . 2005

Katya Held . Gavin . Oil on canvas . 20 x 16 . 2010

Josh Breslin . Closed Grisaille / 1 Hour . Oil on canvas . 20 x 16 . 2010

Ning Hu . Duotone Study . Oil on canvas . 20 x 16 . 2005

Jason Espey . Emma Grey . Oil on canvas . 20 x 12 . 2010

Sarah Fredricks . Reclining Pose . Oil on canvas . 20 x 16 . 2010

Jason Espey . Roger . Oil on canvas . 20 x 16 . 2011

Lea Colie Wight . Grisaille Figure study . Oil on canvas . 20 x 16 . 2004

Mary Lou Clair . Jerome . Oil on canvas . 16 x 12 . 2007

Monica L. Bean . Danny . Oil on canvas . 16 x 20 . 2010

Christina Rose . A View from Behind . Oil on canvas . 20 x 16 . 2010

Grisaille

Studio Incamminati artists are introduced to using paint through the process of Open Grisaille. Grisaille (from the French gris for “gray”) utilizes thin, semi-transparent washes of monochromatic oil paint and turpentine on a “toned” canvas to create a simplified tonal range. This establishes the movement of light vital to capturing shapes and shadows. The “under painting,” is the first stage of any painting. Artists build volume as they lay in the darks and shadows by wiping out the light areas. Open Grisaille work helps artists fully convey the energy of the human figure or still life object while introducing the concepts and techniques of handling paint. With Open Grisaille, the underlying reflective surface shows through the monochromatic layers, creating a luminous glaze.

The artists’ next step is the transition to Closed Grisaille: an introduction of the full tonal and value spectrum in which the still-monochromatic palette widens to incorporate cool and warm hues. Artists master feathering and blending the light darks and dark lights as well as articulating hard edges from soft edges. Brushwork becomes more subtle in recording light and shadow and the artists explore textures, learning to build paint in certain areas and keep others thin.

All artwork is the property of the respective artist. Reproduction is strictly prohibited.